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Once you knew who they were, how they walked or, more to the point, how they ran - Elmer Fudd, Bugs, Daffy, Sylvester and the Coyote are often perpetually in motion, each with his own distinctive running style - once you knew all that, the rest was easy. 'He doesn't know he's a stinker.' Which ought to be the end of it.įor Looney Tunes, character was everything. A sophisticate skunk who talks like Charles Boyer and keeps hitting on cats is a fine comic idea: 'He's like most of us men,' said Jones. In their heyday, the Warner Bros progeny - Daffy Duck, Road Runner, Wile E Coyote, Porky Pig, Tweety, Yosemite Sam - were never crippled, like Disney's dullards, by a respectability gene: they exist in a whirr of primal activity - they need to eat, they hunt, they seek to kill - the same narrative played over and over in ever more exotic locales, from opera stage to outer space, their comic ingenuity prompted by no more than the appeal of a punning title - 'Hare Conditioned', 'My Bunny Lies Over the Sea', 'Beep Prepared', 'Louvre Come Back to Me'.Įven the minor players are fully conceived, Pepe Le Pew, the bon vivant French skunk who starred in 'Odor-able Kitty' (1945), 'For Scent-imental Reasons' (1949), 'A Scent Of The Matterhorn' (1961) and many others. In Bugs' case the buck stops here - on the desk of Chuck Jones, the producer and director who made the Merrie Melodies merrier and the Looney Tunes loonier. But the Looney Tunes guys were more wholly 'made' than their dull counterparts at Disney - Mickey, Donald, Goofy, Minnie, etc.

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Some art forms are heavy with authorial presence others wiggle free of their creator, so popular, so known that the idea of anybody sitting down to 'make' them seems absurd. 'I can't understand why you're writing scripts for Bugs Bunny,' she replied. It was their defining animator Chuck Jones who liked to tell the story of a young man who came to work with him in the Warner Brothers animation department and sent a letter home to his grandmother proudly telling her that he was writing scripts for Bugs Bunny.

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So screw the wokesters and let's spend our Saturday movie date with a certain anthropomorphized lagomorph and the other enduring, indestructible stars of the Looney Tunes funny farm. I miss the grand comic spirit of Looney Tunes, and the high artistry they brought to it.

Even for a self-moronized suicide cult like 21st century western civilization, that's too stupid - even more stupid than, say, crediting Yosemite Sam continually shoving dynamite down his pants for our societal death wish. BEST PHOTOGRAPHY TIP: Don't do it in post-production when you can do it in-camera.I love Looney Tunes, and I couldn't be less interested in discussing whether Pepe LePew is directly responsible for Andrew Cuomo #MeTooing his staffers or Joe Biden tweaking grade-school nipples.

But he doesn't get to do much of this because of the high demand of photography content. Since then, he's learned and adapted to various things in the fields of social media, SEO, app development, e-commerce development, HTML, etc.įAVORITE SUBJECT TO PHOTOGRAPH: Chris enjoys creating conceptual work that makes people stare at his photos. His skills are in SEO, app development, content planning, ethics management, photography, Wordpress, and other things.ĮDUCATION: Chris graduated Magna Cum Laude from Adelphi University with a degree in Communications in Journalism in 2009. His background and work has spread to non-profits like American Photographic Arts where he's done work to get photographers various benefits. Since then, he's evolved as a publisher using AI ethically, coming up with ethical ways to bring in affiliate income, and preaching the word of diversity in the photo industry. He left his day job as the Social Media Content Developer at B&H Photo in the early 2010s. He founded the Phoblographer in 2009 after working at places like PDN and Photography Bay. He started at PCMag, Magnum Photos, and.

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PAST BYLINES: Gear Patrol, PC Mag,, Digital Photo Pro, Resource Magazine, Yahoo! News, Yahoo! Finance, IGN, PDN, and others.Ĭhris Gampat began working in tech and art journalism both in 2008. He's also a Photographer that has had his share of bylines and viral projects like 'Secret Order of the Slice.' He's a veteran technology writer, editor, and reviewer with more than 15 years experience. HIGHLIGHTS: Chris used to work in Men's lifestyle and tech. He's fascinated by how photographers create, considering the fact that he's legally blind./ He's the author of various product guides, educational pieces, product reviews, and interviews with photographers. Chris's editorial work includes not only editing and scheduling articles but also writing them himself. He provides oversight to all of the daily tasks, including editorial, administrative, and advertising work. Chris Gampat is the Editor in Chief, Founder, and Publisher of the Phoblographer.